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8 January 1836 – 25 June 1912. Most renowned painters.

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HEEM, Jan Davidsz. de
Jan Davidsz de Heem Vase of Flowers

ID: 74883

HEEM, Jan Davidsz. de Jan Davidsz de Heem Vase of Flowers
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HEEM, Jan Davidsz. de Jan Davidsz de Heem Vase of Flowers


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HEEM, Jan Davidsz. de

Dutch painter (b. 1606, Utrecht, d. 1684, Antwerpen). Dutch painter of fruit and flower pieces. He studied with his father, David de Heem, and became one of Holland's foremost still-life painters. His paintings are found in many leading European museums; the Metropolitan Museum possesses three examples. His son and pupil, Cornelis de Heem, c.1631 C 1695,   Related Paintings of HEEM, Jan Davidsz. de :. | Vase of Flowers sf | Vase of Flowers sg | Still-Life with Fruit, Flowers, Glasses and Lobster sf | Still-life sf | Still-life with Fruits sg |
Related Artists:
Tudor St George Tucker
1862 - 1906,was the son of Captain Charlton Nassau Tucker, a cavalry officer in the East India Company's service. He came to Melbourne in 1881. He studied at the national gallery school and afterwards at Paris. He returned to Melbourne and about the year 1893 was associated with E. Phillips Fox in the conduct of the Melbourne art school. He was back in London in 1899 working in a studio at Chelsea, and had two paintings in the 1900 Royal Academy exhibition, two in 1901 and one in 1902. He died in London in 1906. He suffered much from ill health and his work is comparatively little known.
John Tenniel
English Golden Age Cartoonist and Illustrator. (1820-1914) English illustrator and painter. Impatient with the hierarchic structure of the curriculum at the Royal Academy schools in London, he left to follow a less formal education at the Clipstone Street Art Society's life and anatomy classes and in the British Museum's sculpture galleries and Print Room. His research into the history of costume and armour provided material for his early oils of chivalric scenes, which he exhibited at the Royal Academy (1837-42, 1851). Tenniel was among the artists commissioned to decorate the New Palace of Westminster, and he went in 1845 on a state-sponsored trip to Munich to study fresco technique. His contact with the school of Peter Cornelius while there confirmed his emphatic preference for a precisely drawn line.
Friedrich Kallmorgen
painted Friedrich Kallmorgen Weiden am Bach in 1896






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